Vice-Chairman of Sun Newspapers never knew that death was around the corner when he sat down to this interview with Azuh Arinze of Yes Magazine.
He talked about journalism his first love and how it impacted his life, also his relationship with his partner Mike Awoyinfa. It's a painful exit, but we trust he's resting in the bosom o the Lord.
Read excerpts from the interview below:
What makes a good journalist?
A good journalist? Well, a good journalist is somebody that
has a sense of curiosity; somebody who ab initio believes in a cause, a
mission; it is like there is a driving force within you that does not take
something that is wrong; that wants things to be corrected.
Those are the
innate propelling elements that drive a good journalist. A sense of curiosity
and then a sense of a mission and then there is also the element of the skill.
The person should have a lot of resilience. Journalism takes a lot from you, so
you have to be persistent.
To get news, there are a lot of frustrations, so you
have to be persistent. And then I will say somebody who also is substantially
skeptical, somebody who doesn’t take everything, who is not credulous, who
doesn’t just take in everybody’s word for it.
In fact, we used to say that
every morning, a journalist should; the same way you take a cup of tea is the
same way a journalist should take a cup of cynicism. So that you have this
cynical approach to the society. You don’t just believe things because they say
it is so and everybody believes in it.
That, for instance, was why I was asking
yesterday when I was making a brief comment if the things the Governor (Ibrahim
Shema of Katsina) is saying are true. Because you cannot just say they are true
because he said them. So, those elements are critical composites of a good
journalist.
A good editor need not be a very good writer, but he should
be a good manager, he should be a good motivator, because a good editor is
driving a team of people and he has a sense of where the paper is going. So, he
should be somebody who has a capacity to organize a group of people, motivate
them to achieve a goal.
If you read the memoir of Ben Bradly; Ben Bradly was
the editor of Carl Benson and Bob Howard. Ben Bradly said he never went to the
Editorial Board; he didn’t visit all those places.
He said he was not
particularly a good writer, but then he’s surrounded by these star reporters
and he’s a damn good manager, working with Karchan Graham. And, he can make
decisions.
A good editor is like a coach. He knows who the stars are. He may
not necessarily play the game as well as the people he is leading, but he knows
where he wants them to be, he is driving them to achieve that goal. Of course,
it is an added bonus when he is also a good writer, because you see, when you
tell a man you have written nonsense; the only thing that entitles you to say
that is the fact that you, yourself have written something credible.
You have to
earn whatever you are demanding from the reporters; from your team members. You
have to have earned it either by your performance or by your past and so on and
so forth. If I call Steve (Nwosu) or Femi (Adesina) and co and say do it this
way, the only reason they will believe me is because they know I have done it
myself. If I haven’t done it and I’m sitting there pontificating, they are
never going to believe me. So, credibility is going to come from what you have
done.
What makes a good story?
That’s a tough one. But a good story should answer questions
about the curiosity of people. A good story should have the capacity to make
somebody say aha! Do you mean it? Is that true? If the person says is that
true; elements of a good story should now be that you answered those questions.
Yes, it is true, this is why it happened, this is how it happened, this is
when. A good story should answer all the questions. When I read your story and
you leave me wondering, asking questions again, it means you have not answered
all the questions. So, the story is incomplete. When a story is incomplete, a
reader reads it and does not have a sense of totality; he then makes up his
mind whether to believe what he has read or not. But it should answer all those
questions.
What do you like most about being a journalist?
Well, the sense of audacity. It gives you a sense that you
are part of those who could shape and re-shape the society. It is the fact that
in my own little corner, I can decide to have a point of view, to have a
perspective on how this society should be governed and I dare say there are
millionaires – people that are very rich – they don’t have that kind of
audacity.
They can’t speak; I can! I can write, I can take a position and I
have the capacity also to affect the direction of the larger society. It gives
us excitement. You know we don’t usually have plenty money, but it is not money
that makes people come into journalism. Journalism is like a vocation, it’s
like people going into ministry, it’s like people going into missionary work.
When they were going, they were not going to become the richest guys in the
world, they were going because they had a call; there is an inner propelling
force saying this is what you should do. Sometimes they don’t have money.
I
have a friend; the Bureau Chief of Chicago Tribune. He’s a guy called Ray Long.
He says I’m a Bureau Chief; I don’t want to go higher. This is all I wanted. I
don’t want anything more. I want to just be here as a Bureau Chief until I die…
What don’t you like about being a journalist?
In our materialistic environment, I don’t like the fact that
it doesn’t give you enough money to remove financial insecurities from your
life. Otherwise I don’t think of any other profession I will like to be in. I like
to be a journalist. There may be issues about the dangers and all that. But I
don’t bother myself about those ones. What I bother about is the fact that the
profession sometimes does not generate enough resources to sustain its
devotees.
What is the costliest mistake that any journalist can make?
Writing deliberate falsehood. You know in those days, Razor
was writing stories that didn’t happen and that killed Razor. The costliest
mistake is to lose your credibility. You see, the trading capital of the
journalist is your name, it’s your integrity. When that integrity is lost, then
you have no business. You’ve lost all!
What is the greatest thing that being a journalist has done
for you?
The greatest thing that being a journalist has done for me?
Has it done things for me? Well, the same thing that it has offered me – a
platform to serve and in serving the society, sometimes there are little,
little benefits here and there and so on and so forth. But the fact is, it has
given me the opportunity to serve, it has given me a platform, it has made it
possible for me to be part of those members of this society that could possibly
shape the agenda of this society. A lot of people don’t have that platform and
they are in millions.
What has being a journalist not done for you?
Of course, it has not made me rich (General laughter). In
other professions, if I had risen to the level I am reputed to have reached,
then I should be very rich and comfortable. But it has not done that. But that
is also the very nature of the profession. If you are in this business for the
right reason; not for the reason of exploitation and corruption, you are likely
to experience what I’m talking about. But if you are in it as a platform to
exploit, to extort and you have the capacity to do that, then you could of
course make money. But then the more of that you make, the less of the
journalist you become. Because when you extort; if you extort from ABCD, those
people would pass the word around to the members of their class that you did
this, you did that. At the end of the day, it vitiates the respect accorded
your name.
You have done a lot of interviews. Who would you like to
interview, but still haven’t been able to interview?
You see, who we like to interview depends on the theme,
because there are so many people in the world you would have liked to
interview. But when we were doing a book on world editors; it’s a book we did,
which is coming out this year. I hope it comes; the ship should have berthed.
If they clear the book from the wharf, then it should come out this September
we are entering. Now, when we were doing that book…
What’s the title of the book?
World Editors… Conversations With Global Editors On Media
Trends And Best Practices. It’s a book we did for many years and it involves
interviews with editors of global newspaper like The Times of London, New York
Times, The Chicago Tribune, Wall Street Journal, Financial Times of London.
Just name it! All over the world. Some from India, some from Canada, some from
Spain, all over the world. It’s 50 of them. We wanted desperately to interview
Christiana Amanpour and then we went to CNN Atlanta and we met this our friend
there; what’s his name? Jim. We asked and Jim Clanson said no, she’s in
Washington or she’s in New York. I see her as the world’s No. I reporter. I
would have liked to interview her.
Which is the most memorable story that you have done?
Ah, I wish I knew; I wish I knew. It’s difficult for me to
pick, frankly.
Partnerships hardly work in Nigeria. But yours and that of
Mr. Mike Awoyinfa has been able to last for decades. What will you say has
sustained that relationship, that partnership, that friendship?
The fundamental reason partnerships don’t work in Nigeria is
greed. You see, when you are starting business with people, even that day you
are starting, they have already plotted how to cheat you; they have already
plotted how to take advantage of you. Partnerships work if there is the absence
of greed. No. 1, if there is contentment.
No. 2, if there is mutual self
confidence in each other. After all, what is partnership? In our own case, it’s
a synergy of skills. There is something you have I don’t have; there is
something I have you don’t have. So, we bring the two together and then we
build a stronger capacity simply because we are leveraging on your strength and
leveraging on my strength.
There is a saying that success would come if you
don’t mind who takes the credit. It’s also very important. If I’m doing
partnership with you, a little time you say oh, I contributed this, I
contributed that, you begin to audit all those elements; it doesn’t work. It
requires a sense of sacrifice; it requires a sense of commitment. What Mike and
I do; we don’t do that. While I’m here now, mike is in UK because his son is
graduating (MBA) from one university. So, he’s gone there.
And something has
just cropped up – I have an appointment for Thursday. Now, I’m going to do
exactly that which me and him would have done. But I will do it as if it’s two
of us that did it. It didn’t matter that he wasn’t there. You know, those are
just the little, little elements and then you need to trust each other.
What don’t you like about Mr. Awoyinfa having been with him
for a long time?
Well, I call him an iniquity man (General Laughter) and he
knows that. Every day I am chastising him. He moves around a lot; much more
than I would have liked for him to do. I believe that a writer should be
substantially monastic. You should not be a man about town all the time,
because writing is a difficult business. Again, you cannot change another man.
You leave a man to be himself, you recognize who a man is and you deal with him
in the way he is; not the way you would have liked him to be, which is a
figment of your imagination. If you don’t agree with a man’s person, then go
and fight with God who made him.
What do you like most about him?
He’s a simple, nice and honest man. He’s a very humble
person. A man that is simple, a man that is trustworthy. He won’t lie to me, he
won’t cheat and those are the things I like. And he’s a very creative person.
Restless most of the time. But he’s very creative and with me, he has no ego
issues. He has no ego problem and so, it makes it easy. There is nothing I
can’t say to him. If it is wrong or bad, I would not look for a nice word to
say it. I’ll basically say it. He will understand that I am not saying it
because I want to put him down, but because of course I’ve made sacrifices for
him. Enough to warrant the right to tell him off and I would say vice versa.
What is your take on the coming of the social media?
It is the thing that has destroyed the conventional media;
it is the thing that created the paralysis that is in the conventional or the
traditional media…
Read full interview Here
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